Panasonic DVX100 > Digital Post Production > Color Correction with the DVX
 

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Digital Post Production for Digital Filmmaking
The Panasonic DVX - Do It Yourself - Low Budget - Indie Filmmaking Community

 

Color Correction with the DVX or in Post?
by Ed Tanten

Achieving the perfect color temperature with any prosumer digital camcorder can be pretty tricky (www.dvxuser.com/articles/shoot3/). You have to take into account the factor of how much light you have to work with, the design of your film and video production, how your camera handles saturation levels, etc.

Although the built-in scene file settings on the DVX100 (www.dvfilm.com/maker/dvx100settings.htm) give you the best headroom needed for a specific look, in general, when shooting for a specific look and performing 'in-camera' adjustments for color correction, in-camera settings will give you very limited options during post production.

Of course, as digital movie filmmakers, we all know that the best rule of thumb is to come prepared for every shot and know your production design before even turning on your DVX 100. With that said, if you shoot with in-camera color correction, sometimes minds change and last-minute decisions are made and then - ooops! You won't be able to make any changes at all since your source footage is stuck in that color temperature, contrast, etc. 

It's through my experience that when dealing with clients (corporate or wedding), you'll want as much flexibility as possible during post. And especially for independent digital films that are to involve any visual effects (ie. gun shots, blood spatter, sky re-touching, etc.) To help achieve that, I usually zero out my DVX100 Scene File settings to their default settings to ensure that I capture the most neutral and cleanest signal possible. In addition to that, I pump up as much light as possible, since I'm dealing with mini-dv. This way I can manipulate my images in post using the FCP 3-Way Color Correction tools or using After Effects by manually adjusting levels, brightness and contrast settings, hue and saturation.

By taking some time to experiment with the parameters of each function on your editing system, it'll give your film production a lot more flexibility and be ready for any decision thrown your way.

 

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