Panasonic DVX100 > DVX Film Production > Gun Recoil for Your DVX100 Cast
 

Home
DVX100 Tips and Tricks
DVX 100 Movies and Films
Movie Pre Production
DVX100 Film Production
Digital Post Production
DIY Film Equipment & Gear
Low Budget Resources

Get your
Why Go To Film School?

Filmmaking e-Book download!

Lights. Camera.
Take Action!

While most filmmaking
books can be intensely
overwhelming with
impractical info, the

Why Go To Film School?
Filmmaking e-Book
empowers the DIY filmmaker with all the text book “need-to-knows” along with highly useful, editable templates, saving you from uncertain research and guess work. Just fill in the blanks and start making your movie.

Visit Why Go To
Film School
?to see how
this popular e-Book has helped other aspiring
indie filmmakers.

 

 

 

 

Film Production for the DVX100, DVX100a and DVX100b
The Panasonic DVX - Do It Yourself - Low Budget - Indie Filmmaking Community

 

Gun Recoil for Your DVX100 Actors and Directors
by Paul Ziegman

Caution: Any and all gun replicas and firearm props should always be handled with care and under adult supervision.

In this do it yourself article I will give you cool tips and tricks on how to make your inexperienced actor have truly believable recoil on screen as if he or she has been shooting guns since the days of the wild west. I will also cover cool how to’s from a film maker’s perspective so you directors will know how to capture your actor’s prize winning performance on your DVX100.

It’s in your hands now

Well now you have a menacing looking gun that’s sure to boost the film production value of your flick…now what??  As a director I would run through the actions (blocking) with your talent before you start rolling tape so you don’t have to waste any time, tape, co2, strength and breath. Make sure your cast (and crew, if you have any) know their marks! This will help big time for finding the right cinematic framing so you can edit a believable sequence and film it all in one take.

The most common mistake for first time DVX 100 movie directors is that they try to shoot the whole sequence from one angle… meaning they try to get the shooter and the victim all in one frame or in one shot… big no no!! What you have to do is line up your actors on their mark and capture one angle at a time; first the shooter than the victim taking the bullet or vice versa. Then you can cut the action sequence together and have more flexibility with the impact of the gun shot… not to mention the countless takes for the actors to get the timing right if you decide to capture them both from one angle.

Frame the Barrel Off-Screen

For the most effective gun kick in your digital film (for medium shots or close-ups) frame the tip of the gun barrel just off screen. The reason for this is so that you can have a helper stand just off screen at the tip of the barrel. On the count of three, have the actor simulate just the facial intensity of the gun firing while at the same time, your off-screen helper quickly butts the tip of the barrel with his palm, causing the actor’s arm to kick in a realistic recoil movement. The key to this is to have your actor hold the pistol straight and to keep his arm stiff, so when the helper butts the tip of the barrel with his hand, it causes the actor to jerk back. Make sure to compensate for the underscan on the DVX100 LCD monitor.

(continued on next page - DVX100 Production Tips and Tricks with Your Actors page 2...)

  

Do YOU have a cheap, low budget, do-it-yourself DVX100 tip or trick that you'd like to contribute?
If so, just email it to us and we'll post it up!

Thanks for helping the grass roots grow!

 

panasonic dvx100 | panasonic DVX100 tips and tricks | DVX100a Films | DVX100b pre production | dvx100 production | mini dv post production
do it yourself film equipment and gear | no budget filmmaking resources

Rockford Images Sitemap | Disclaimer
Copyright © 2008 Rockford Images