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Movies Shot on the DVX100
The Panasonic DVX - Do It Yourself - Low Budget - Indie Filmmaking Community

 

Iraq In Fragments – A DVX100 Miracle cont'd.
by Noni Jones

(...continued from previous page)

The director shot the entire documentary using the Panasonic DVX100 and DVX100A cameras. He utilized the 24p Advanced pull-down mode and letter-boxed the 4x11 footage with 1:85 widescreen ratio. All of the movie’s sound was recorded on camera with no boom pole or sound engineer at any of the locations.

He frequently pushed the DVX100 to its limits, often exposed to environments with extreme heat, humidity, and dust. In the DVD special features, Longley goes on to say that there were times where he would have to wrap the DVX in duct tape to protect it from the elements and thought that the camera would just give in to the extreme weather conditions and fail. But he was surprised to say that the camera never did fail and that the DVX100 kept running smoothly. He did have to clean the recording heads, however.

Post Production 

The footage from both the DVX100a and DVX100 was edited using Apple’s Final Cut Pro software and the film was blown up to High Definition size as well as color corrected at Modern Digital in Seattle, Washington. Their audio is a professional Dolby Digital sound mix engineered at Bad Animals studios in Seattle.    

Summary

Iraq in Fragments is a story that has not only taken the DVX100 to its limits, but has proven to the film industry that the Panasonic DVX100 is an award winning camera and most dependable in situations where you must practice a discrete shooting style, which probably explains why the DVX is so popular amongst the DIY community. With the visual story telling style of the director and his shooting technique with the Panasonic DVX, it’s hard to believe that the beautiful images seen in his movie were captured on a Mini DV format. Iraq in fragments is a true DIY miracle.

Let’s recap:

Title:  Iraq In Fragments

Genre:  Documentary

Director: James Longley

Camera: DVX100 and DVX100A/Shot 24P Advanced matted at 1:85 and later blown up to high definition.

Overall Score:  As a documentary I give it 8 out of 10. The visuals were great, the sound was all done in-camera and the results were fantastic. The DVX100 envelope was pushed far, making this movie is a hard one to top.

Stay updated with all our Panasonic DVX100 movie reviews.  It’s a great way to experience the finished products of digital movies shot on the DVX 100, 100a and 100b and see the results the DVX mini-dv camera workflow.

 

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